Building buzz boils down to putting fans in seats and keeping them on their feet. An individual that rejects all societal constructs when it comes to traditional musical approach goes by the name of Mach Hommy. The majority of the time he creates masterpieces without any features except for his latest album, “RichaxxHaitian.”
You might have seen a Mach Hommy vinyl on 2 Chainz Most Expensivest show. Regardless, the quality of music certainly magnifies the enjoyment for any listener. This man proves his brilliancy within bright pockets of sound sampling.
Mach weaves intricate textures and interwoven patterns within each record. Realistically, nobody within any sector – underground, mainstream, drill – raps more smoothly than Mach Hommy and collaborators alike.
Speaking the Homily
“I do not miss when I jot this – I fill your storylines with cliffhangers and plot twists.”
– Conway the Machine
YOD, Mach and Tha God Fahim share the DUMP mentality. Every great artist pushes themselves through a phase where they become comfortable being uncomfortable. Each one of these three artists pushed through a time where they released multiple projects within one year. Hence, they DUMPed on the game given the quality in relation to timespan.
“I’d rather pay double for half the time.” –Mach Hommy
Mainly, Mach Hommy plays a pivotal role within any room. His collaborations with Your Old Droog firmly reject traditional musical methods with nonconformist demeanors. From the sounds of it, Droog stayed independent thanks in great part to wisdom imparted by the omnipotent DUMP Gawd himself – Mach Hommy.
The most fascinating elements become illuminated when Mach Hommy comes near the function. Details are normally what many people fail to recognize. Crucially, tonal perception and vocabulary connectivity determines the depth by which a listener comprehends wordplay.
Details by way of Tyron de Harlem chronically affect the timeline by which this author discovered Mach Hommy. Normally, one journalist sees another journalist taking ATV rides with an artist yet to reveal his face and they might tend to take a look. Insofar, the pen of this author understands and circulates wisdom as well.
Without further adieu, we present the album review of, “RichaxxHaitian” by Mach Hommy.
This album deserves an archival article and zine creation too.
Basically, this collection of songs starts off with great amplitude of tribal type hymnals. As it progresses, the sound really transfixes the audience. Here are a few tracks that proved rewind worthy.
REWIND WORTHY JAWNS
Sur Le Pont d’Avignon [Reparation #1] was produced by Conductor Williams and serves as a calm coastable record. This track sets the tone for transition as the seventh track amidst a collection of exotic tunes.
#RichaxxHaitian produced by Kaytranada radiates as an absolute bop.
Lon Lon – “He said my DNA wasn’t royal he’s a peasant.”
Guggenheim Jeune – “Hommy smilin at your maker I spearheaded my kind with more lines than a comet in the sky you had to pay us.”
Copy Cold – “State of the art business ain’t that stupendous.”
Mach opened up this album for features and it paid off in a major way. Shouts go out to an artist who uplifts his community, empowers others and knocks down doors for himself and everyone in his camp.
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